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AI: the limited alien intelligence

One day I watched a speech by Paolo Bonolis, it had been held at one TED event organised by the LUISS University. It’s a video from June 11th 2015 and begins with the famous Italian presenter describing the book “Answer” by Fredric Brown. It goes something like this: there is a group of scientists that want to find out whether God exists or not. To achieve their goal, they build computers that are ever bigger, ever more powerful and “super”. After a while there is no technician left to build those behemoths and finally, surrounded by one universal sidereal silence, the answer does indeed come:

“Is there a God? Yes, now there is a God.”

Bonolis then moves on to the topic of the inductive or deductive knowledge and the unbearable velocity machines force us into. The conclusion revolves around one quote from Guy Debord: “Men resemble their times more than their fathers.”

Exactly here I trip over my own train of thought: the current developments in technology are projecting us towards something we cannot yet really define. Maybe we won’t ever be in a position where we are able to utter words that describe what’s around us.

I did not just randomly type “alien intelligence” in the title… In fact, I was reading someone on X making this very argument.

OpenAI could recently break one unsolved maths problem and publish about it on the same user interface. This is all well and good, but let us not forget that OpenAI is the Artificial Intelligence for the man in the street and for the people. At the same time, they want to go public on the stock market: nudge nudge, wink wink!

I will of course have this very text and its German sibling get analysed by the attentive machine. Of course will I begin a dialogue with something very powerful which will execute my command to read and tell me whether I have missed something. This will also help me to understand how I in this case should create my translations – in the future, too. What I will also see is a thin black veil cover those characters, as if some external force wanted to limit their effect. Because, among other things, I tend to repeat myself when I write.

All in all, the machine will do what machines do and that means bringing what I wrote to its standard parameters. At least there will be an endeavour to do so, in addition to eating away at what I am serving to feed its brains.

Therefore yes, men do resemble their times more than their fathers and, in these times of rotten capitalism, gifts like the instant access to what happens in the world come up from healthy seeds. The answer of all answers shall therefore not reply to questions like: “What will happen to us all?”, “What is the new feudalism of the tech-bubble? I’ll explain it in 10 minutes.” and “How will governments provide universal income?”

The answer of all answers is to be sought in how we could build a society that can count on itself. But, most importantly, the answer to all questions resides in the choice of words that let us grow sustainably as well as steadily.

The so-called Artificial General Intelligence is underway and will have large language models at its core. This means that one day those fat feudal lords won’t have any more words to report.

Markus Gabriel tells us: “Progress may be perceived as such by one party while being seen as regression by other individuals.” Limiting the use of this technology, thus avoiding the pursuit of perfection and supporting our very own decision making through the challenges of our time, may very well be one effective way to perform a “system reset”.

And we should all be aware of the fact that what I, you, they and every human write is one unprecedented and unique breath. In the text I am working on, “Rückenwind” would be machine translated as “tailwind”. But I, in my individual human experience, thought of another lemma and won’t tell you or any LLM about it, just yet.

You will both have to wait for me and in the meantime reflect on Han Kang’s words, which I hereby render in English, translating myself Milena Zemira Ciccimarra’s Italian original:

<< How tough is it for us to remain humans, no matter what happens? In the darkest of all obscurities language asks us what we are made of and stresses the need for us to make the many viewpoints of all peoples and creatures that live on this planet earth our own. Language binds each one of us to one another. Literature unavoidably radiates one kind of body warmth, because it builds on language bits. In the very same inevitable manner the creature who reads books and writes literature is an activist fighting against all acts that may eradicate life.>>

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What do the people of Anpezo-Cortina d’Ampezzo sing?

Find out in DE or IT

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IT

Che cosa cantano i ladini d’Ampezzo?

Dalla cima della Tofana di Rozes si riconosce molto bene il campanile, la cui costruzione fu avviata da Silvestro Franceschi con la fondamentale collaborazione dell’architetto viennese Hermann Bergmann e conclusa nel 1858 con roccia dolomitica, prelevata un po’ più in là, appena sotto il monte Faloria.

Bene si vede anche Corso Italia e questo mi riporta allo scorso 30 agosto e alla giornata che, tradizionalmente, chiude in bellezza la settimana della Fešta de ra Bandes.

Ripenso quindi all’ultima marcia delle 19:30, la quale portava bella musica ovunque e metteva a posto le vetrine, disponendole alla loro funzione primaria ovvero riflettere ciò che passa loro davanti.

Mi sono specchiato in questa immagine comune e mi sono chiesto:

Che cosa cantano i ladini d’Ampezzo?

Sicuramente cantiamo “Anpezo el nosc paes”, però ci sono anche altre cose di cui cantiamo, che raccontiamo e suoniamo.

Io, per esempio, intendo scrivere del pluralismo che permea ogni aspetto del quotidiano ampezzano, di una comunità riunita sotto un nome, un cognome e un soprannome:

Cortina d’Ampezzo – Anpezo.

Voglio inoltre scrivere di questa vera comunità montana che vuole stare unita come i popoli delle alpi tutti, quindi di una comunanza consapevole di come il rumore bianco di sottofondo mai possa coprire certe note musicali.

Non saprei dire cosa cantino e canteranno i ladini d’Ampezzo, tuttavia possiamo contare sul formidabile esempio delle meravigliose Dolomiti che ci ospitano. In fondo sappiamo, ognuno di noi sa, distinguere toni acuti e rumori di fondo.

Continuiamo a scrivere, continuiamo a comporre!

DE

Was singen die Ladiner aus Anpezo?

Von dem Gipfel der Tofana di Rozes sieht man den Glockenturm ganz gut: er wurde von Silvestro Franceschi entworfen und dessen Pläne wurden durch den Wiener Architekten Hermann Bergmann fortgesetzt.

Den Bau stellte man 1858 fertig und dafür verbaute man unter anderem Dolomitgestein, das aus dem ganz nahen Fuß des Faloria kam.

Leicht findet man auch den Corso Italia (die Italienallee) und das erinnert mich an den vergangenen 30. August und jenen Tag, der die Woche der „Fešta de ra Bandes“ souverän beendet. Ich muss daher an den letzten Marsch um 19:30 Uhr denken. Die Kapelle zog gute Musik überall mit sich und richtete dadurch die Schaufenster des Zentrums für deren primäre Nutzung, nämlich Passanten widerzuspiegeln.

So habe ich auch in den gemeinsamen Spiegel geschaut und mich gefragt:

„Was singen denn die Ladiner aus Anpezo?“

Ganz bestimmt singen wir „Anpezo el nosc paés“ („Anpezo, unsere Heimat“. Dorf finde ich in dem Kontext zu wörtlich).

Es gibt aber auch andere Dinge, die wir erzählen, worüber wir singen und die uns zum Musikspielen einladen.

Ich, zum Beispiel, mag von den Pluralismen des Ampezzaner Alltags erzählen und zwar des Alltags einer Gemeinde, die sich zu einem Namen, einem Nachnamen und einem Übernamen vereint:

Cortina d’Ampezzo – Anpezo.

Außerdem will ich noch von dieser wahren Berggemeinschaft schreiben, die – genau wie alle Völker der Alpen – zusammengehört. Ein solcher Bund ist sich dessen bewusst, dass dieses weiße Rauschen im Hintergrund manche Musiknoten nie überwältigen wird.

Ich darf nicht sagen, was die Ladiner aus Anpezo singen und singen werden. Trotzdem können wir uns auf das hervorragende Beispiel der atemberaubenden Dolomiten verlassen, die uns zu Gast haben. Wir wissen sehr wohl, jeder von uns weiß, was Nebengeräusche und feine Lieder sind.

Schreiben wir weiter, komponieren wir weiter!

Definitions and lies that mountains do not tell.

Symbols and truths that never need defining.

This text should have seen the light way before it did.

These words should have been written, pressed, felt and read way before I felt like doing this just as I raised my eyes and looked at the mount Serles that overlooks Innsbruck and the valley of the river Inn.

I will now present a story of mountains, definitions and heartbeats two steps away from touching the sky.

20th of August, 2024: the day awareness came.

Exactly on that Tuesday I set myself the goal to discover, rise, reach the top of that pyramid where for such a long time my eyes had landed as I rode my bike along the Meinhardstraße.

This is about a mountain whose name results from centuries of evolution and goes back to a phase where a minority language like the Ladin of Cortina d’Ampezzo- Anpezo needed no label, needed no grammar and needed no institutional school subject.

As a free mountain soul, I daily look for aspects of my surroundings I might want to know.

I met someone during one of those natural conversations I had at work, spoke about how the word “mountain” (or “Der Berg”) is a masculine noun in German while there is one Berg, a pyramid going against the grammar rules and rising to resemble the Dolomites where I was born. It is a 2717 metres high pyramid with some unclear etymology. I was eager to know more!

The mount Serles, German “Die Serles”, gets its name secondarily from the ancient Ladin word “suredl”, meaning sun. The sun is also a feminine noun in German as in “Die Sonne”. In Ampezzano Ladin our sun is named “soróio”, with an evident similarity to ancient Ladin “suredl”. Both words come from the same Latin root “sol”. Interestingly enough, Suredl came to be the evocative form for sun, but “Sörls”, a noun that originated from a Romance matrix and had served in written form as main toponym since the 15th century, gave the most logical imprinting to the lemma Serles.

The information board at the Serlesjöchl presented me that day with exactly this interpretation. I accepted it as it showed itself to me.

Let us read back to that Tuesday. As a language mediator and translator facing something new daily, I felt a strong pull towards a deeper understanding of the matter.

As one might say: “If you change the way you see things, what you see changes”.

With this very mindset I started the journey and walked a steep path in the Stubai valley. I was moving, maybe I ran as I usually do when on my own.

Some breaths later I was a good three-hundred metres below the “Serlesjöchl” – a pass from where you look over Steinach am Brenner. I saw a sign, as the reader might have noticed from the pictures, and understood why Serles is a feminine noun and why this starkly contradicts German’s rules. Moreover, Goethe called it the “High Altar of Tyrol”.

I instantly walked faster towards my goal.

Many peaks I could see, more Alpine choughs I could whisper to. Atop I eventually grasped what one of Germany’s biggest thinkers had described.

Another chough flew on its wings, while I flew with my mind. I had this feeling that we both, me and the bird, were alike, were equally free and in the same way risen to a safe distance from the ground. We had become friends and felt it would like my Tarallo. Cuisine unites, right?

After having slept by the summit cross, I began to make my way back down to the valley. Some clouds gathering on the Stubai glacier convinced me I should move, especially at 2717 metres above sea level. The wind blew left and right on the Nepalese flags, I was coming back, at moments running down along the path.

I had dinner with a pizza, some precious memories and tired legs, tired of the kind of tiredness that feels like a reward.

And it was exactly like this: I had found out why the name of the High Altar of Tyrol is a feminine noun. The symbol of the valley of Stubai, sovereign above the eastern alpine capital city of Innsbruck, was given an eternal name, exactly as eternal as the pyramidal figure which it fits into.

In choosing this toponym, the ancient Ladin people of the Alps were clear. Actually, diving into this discovery process I found one diamond of invaluable worth: I became aware of the fact that

mountains do not lie; they never did and never will.

Atop this mount above Fulpmes in the Stubai Valley one might still hear some ancient Ladin language being whispered.

And I write about how immeasurably valuable this is: the pure mountains where I had the privilege to grow up, with their names and shapes that cannot be reproduced, have more to say about what is around them than entire centuries of fights, disputes, conventions, agreements, attempts at peace and signed treaties will ever do.

Let us reflect on the core of my argument: mountains do not need labels, because they already lived on the defining words spoken from generation to generation starting with the Big Bang. Mountains teach us Homo sapiens to say words that are worth the gift we had been given of being conscious enough to name the elements of our human experience.

Let us not forget one important fact:

Mountains, in this era of the modern, stand very well without the definitions that cover them.

What

About

Us?

Answering this question, I believe, makes those crystal palaces tremble — the ones modern minds have built on swampy ground at the foot of the mountains, where their iron (un)certainties reside. Here speaks the “mountaineer” among us: climbing on those buildings, be they made out of thoughts or steel and glass, shall not have the same relevance as sitting by the summit cross and wondering how you reached it.

Mountains and rocks cannot talk, at least until proven otherwise. What they do very, very well is this: forcing us all to listen and remember how small we are.

They do not utter words, tell lies, nor dictate definitions.

Mountains do not fear earthquakes, while some twinkling crystal facades very much do so.

Ménego

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